That said, completing a mission on a map for the first time unlocks special combat challenges and races (and even a free fly mode) there, which are slightly more compelling reasons to go back than when the campaign just reuses them as generic backdrops. Red Colony UncensoredĪ post-mission results screen offers a bit of a “score attack” element for those looking to replay levels and rack up combos or beat times, but I never felt motivated to retry a mission when I knew more of the same was on the way. Those objectives add superheroic moments to break up combat by making you head to a specific spot and muscle open a hangar door or stop a bomb, but the fights between those bits of flavor will be awfully familiar wether you’re flying over downtown Shanghai or Tony’s lovely coastside property. Missions tend to blend together when two of them (or sometimes more) play out in the same exact setting, with only mid-fight objectives and a bit of story to differentiate between them. Iron Man VR has a content reuse problem – not just in its limited enemy types, but in its locations too, and even some boss fights. I had fun switching tactics on the fly and being kept on my (rocket) toes mid-mission, but the repetitive combat patterns do eventually wear a little thin. Enemies make you move and fight in ways that are more than just point and shoot. A hover tank enemy will also harass you with destructible missiles from the ground, encouraging you to use a powerful Rocket Punch to slam it from above. One enemy is easy to take down but will put a shield around others, while another is untouchable until you juke its main laser attack and unload while its guard is down. There are only six basic enemy types in Iron Man VR (all different robotic drones), but they make you move and fight in ways that are more than just simply pointing and shooting. Outlast 2Īnd it’s good that it’s fun, because you’ll pull off that move a lot.
There’s just something oh-so-satisfying about seeing an enemy charging up an attack, flicking your palms back to boost past them, and then blasting them to bits from behind. You’re not exactly going fast in the middle of a brawl, but you aren’t bound by forward momentum like a plane either, and that makes you nimble. This system gave me a great amount of flexibility in my movement, and became second nature by the time I was asked to fight large packs of robots at once or weave in and out of the terrain. Point them back and you’ll rocket forward, down and you’ll gain altitude, or sideways and you’ll strafe through the air. Instead of familiar analog controls, pulling the triggers will turn on your hand repulsors and push you away from whatever direction your palms are facing. Every mission is essentially an aerial dog fight with other objectives like defusing bombs or protecting a target thrown in – but Iron Man isn’t a jet, and he doesn’t fly like one. Thankfully, you’re not really here to play as Tony Stark: you’re here to play as Iron Man, and in the superhero department Iron Man VR delivers. The story wasn’t enough to get me emotionally invested in Tony’s journey – especially when serious moments were frequently undercut by his big, dumb shoulders in the corner of my view or his deformed, wobbly arms grasping at props I wanted to interact with but couldn’t.
It’s the antithesis of the phrase “show, don’t tell,” relying on stationary, exposition-heavy conversations, as well as black voids where you just stand there and listen to Tony explain his feelings between only loosely connected missions. While it can be entertaining, the plot here falls flat thanks to both its laughable predictability and the blunt way it’s presented. Iron Man VR’s story takes place on well-trodden ground as Tony struggles with the ramifications of his past life as a war profiteer, this time while up against the villain Ghost. Iron Man VR’s story falls flat in part because of the blunt way it’s presented. They’re simple gimmicks that help put you in Tony’s shoes, but also aren’t detailed enough to be worth more than a quick glance if this isn’t your first foray into VR (with the exception of that basketball game, which is genuinely fun).
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His house is full of cute little interactables like books, edible food, and even a functional arcade basketball game. That means using hand-directed repulsors to nimbly soar through the air while shooting down robotic enemy drones, but it also means walking around his lavish Malibu home and upgrading your suit between the missions of its linear campaign.These moments as Tony are often little more than a vehicle for story exposition and the occasional equipment upgrade, but they’re still a welcome change of pace when you otherwise spend most of your time in the air.
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